	Gift CD Suggestions
Jennifer Roland's 3rd CD is an exquisitely played collection of Cape Breton fiddle tunes.

Updated October 17, 2006

Here is list of recent releases that are sure to please any of your friends & relatives who have been good. I "ap;logize" for the relative neglect of Irish music and the heavy emphasis on Cape Breton CDs, but that's what I've been listening to, and the overwhelming experience of Celtic Colours again this year...There is just an incredible amount of brilliant music coming out of Cape Breton now and having to listen fast to try to keep up. There are some CDs that are bound to please your friends and relatives.

American Celtic:

These CDs explore the role of Celtic songs in America, songs the immigrants brought with them from Scotland and Ireland and shaped American music indelibly from the hills of Appalachia to the broad prairies to the cowboy songs of Wyoming. Listen and learn.

Connie Dover -- The Border of Heaven "Celtic Music on the American Frontier " (2000 Taylor Park Music) Connie brings her wonderful voice, her Missouri background, her experience as a trail cook on Wyoming cattle drives, and her study of Scottish music to illuminate the celtic roots of well-known "American" songs. The oral tradition of this music is beautifully demonstrated in Connie singing the British ballad "The Sailor Cut Down in His Prime" followed by cowboy singer Skip Gorman singing the American version, "The Streets of Laredo". Particularly well suited to Connie's skills is the American folk song "The Water Is Wide", formerly a Scottish ballad. As usual, Connie is accompanied by the finest of Scottish musicians such as Phil and Johnny Cunningham, and fellow Missourian Roger Landes on bazouki. (Highly recommended)

Irish:





	Jody's Heaven - The San-Francisco trio of Dale Russ (fiddle), Junji Shirota (guitar, banjo & bouzouki) and Jack Gilder (concertina, flute, whistle & bodhrán) have come up with a real winner here. Dirty Linen's review said: "Together, they play blazing reels, relaxed jigs, sprightly hornpipes, and moving airs in spare but thoughtful arrangements that have the airy, light feeling you might expect from a disc with this title. They also put in some set dances, marches, and an infectious set of polkas to add spice....Almost all the tunes are traditional, and the band members have clearly done their homework; this...is a well-crafted album of new arrangements for thoroughly researched music learned from the best players, books and pubs in Irish music. The result is a thoroughly satisfying disc I'm sure I'll return to again and again." Could not have said it better myself. Fair play to you lads. (Highly recommended)

Cape Breton: (where you can buy these CDs)

	The Barra MacNeils - All at Once (Shoreline Records 2005). The Barras have been a Cape Breton tresure for nearly 20 years. And like a fine wine, they keep getting better and better with age. Recently they have been joined by Boyd and Ryan MacNeil, former members of Slainte Mhath (aka "the Baby Barras), and their sound is richer and fuller now. The Barras are sounding very, very good right now. Their instrumentals have the classic drive and lift their fans expect, and will lift you out of your seat and dancing around the room in no time. Lucy, Stewart and Kyle have never sounded better on the songs. This album has a lot of variety from the almost pop sound of their song "Haven't Got a Care" to the Gaelic "Gearan Na Maighdinn". I've 20+ new CDs to listen to, but this one keeps creeping back into my CD player. I bet it will do the same in yours. Well done Barras! (Very highly recommended)
	Jennifer Roland - For Each New Day (self-published 2006) For the last 10 or more years, Jennifer has been playing some of the most beautiful fiddle music in Cape Breton and dancing up a storm. This, her 3rd album, is masterful. Jennifer and producer Allie Bennett keep the arrangements simple and the tunes traditional, and Jennifer's gorgeous fiddling is allowed to shine throughout, and shine it does. Jennifer infuses each of her sets of tunes with joy and just the right rythm and touch; her jigs bounce along as nice to my ear as Buddy MacMaster's, and her strathspeys have a bite that is Cape Breton music at its best. Her rendition of the classic march, Johnny Cope, is a showcase for her tremendous fiddling ability. This is the best of Jennifer's three excellent albums, and not to be missed. (Very highly recommended)
	Ian MacDougall,
	Glenn Graham - Drive (Browbeat 2005) This CD could not be more aptly named. Take a listen to a few tracks of this CD and you will know why Glenn is one of the most requested fiddlers for dances in Cape Breton. I remember Natalie MacMaster and her family after a concert charging off to a dance in West Mabou because Glenn (and cousin Rodney MacDonald) were playing. Glen notes the definition of "drive" includes "to push or propel onward with force...the provide the motive power for..to move along rapidly...a strong motivating power or stimulus..." It could also include his playing on this album. This is "meat and potatoes" Cape Breton playing - Glenn on fiddle, the great Joel Chaisson on piano and Patrick Gillis on guitar, and its off to the dances we go! (Very highly recommended)

Newfoundland:

Great Big Sea -- Road Rage (2000, Warner Music Canada) This ultimate party band took their party on the road in late 1999 - a coast-to-coast tour across Canada. This a selection of live tracks from this tour. Unless you have experienced GBS, it is hard to imagine how popular this group is in Canada (deservedly so). GBS fans know the lyrics. As this CD shows, all the group has to do is sing the first three words of a song; the crowd will sing all the rest of the lyrics. Nobody works a crowd as well as GBS. GBS has won the ECMA Entertainer of the Year Award several times, and for good reason. The tour and the album culminated in a New Year's Eve celebration on the waterfront in St. Johns, Newfoundland, with 90,000 fans all singing the songs! This CD of 19 songs lacks the wonderful polish of their studio albums, but there is such an incredible and wonderful energy on this CD, it is a winner. (Highly recommended)

Scottish:

Alasdair Fraser & Paul Machlis - Legacy of the Scottish Fiddle: Volume One (Culburnie Records) In this CD of 21 sets of classic Scottish fiddle tunes, Alasdair pays homage to the tradition without seeking to modernize it as is often his wont on other CDs. Machlis plays a lovely and restrained piano accompaniment, but the focus is always on the fiddle. The playing is amazingly precise with an exceptionally gorgeous and warm tone, even for Alasdair, perhaps due to the special fiddle Alasdair borrowed for the recording. In fact, the playing is so controlled, it sounds like chamber music. To understand the difference between the Scottish high culture sound passed down in Scotland and the Hebridean dance music passed down in Cape Breton, just compare this CD with Buddy MacMaster's Judique Flyer - two approaches to Scottish tunes of the same period. You will love the purity of sound in Alasdair's CD, but Buddy's will have you out of your chair dancing away. (Very highly recommended)

English Traditional Folk

Welsh, Breton, and Galician Celtic Music


	Milladoiro - Auga de Maio (Green Linnet, 2000) Here is more magical, charming, haunting, exotic and refreshing celtic music from Spain. This is a studio album compared to Milladoiro's brilliant 1997 live concert album As Fadas de Estraño Nome. Milladoiro, a seven piece group, features Nando Casal on gaita (Galician bagpipe), clarinet, tin whistle, crumhorn, Galician tambourine, and vocals; Rodrigo Romani on harp, bouzouki, guitar, ocarina and vocals; Xosé Mendez on flute; Xosé Fereirós on gaita, oboe, mandolin, bouzouki, uilleann pipes, Galician tambourine and vocals; Harry C on violin, Antón Seone on keyboard, guitar, mandola and hurdy gurdy, and Moncho García on percussion and vocals. This ensemble of instruments creates a very different and highly varied sound compared to most celtic groups. There are also a couple of excellent songs sung in Galician. The songs and tunes are an emotional roller-coaster ride taking the listener from lyrical airs to rousing dance tunes, seducive songs, to sombre pieces with influences of Moorish, flamenco, and Irish flavors appearing in this very interesting music. You will listen to this CD a lot! (Very highly recommended)

Please send me your comments or suggestions: jim@sfcelticmusic.com